Minggu, 31 Januari 2016

Free PDF The Burn, by Gary Gutting Jane Fulton Alt

Free PDF The Burn, by Gary Gutting Jane Fulton Alt

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The Burn, by Gary Gutting Jane Fulton Alt

The Burn, by Gary Gutting Jane Fulton Alt


The Burn, by Gary Gutting Jane Fulton Alt


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The Burn, by Gary Gutting Jane Fulton Alt

About the Author

Jane Fulton Alt,is a fine art photographer in the living and working in the Chicago area. Alt is the recipient of the 2007 Illinois Arts Council Fellowship Award, multiple Ragdale Foundation Fellowships, and three time winner of Photolucida’s Critical Mass for her Katrina and Burn portfolios. She has authored Look and Leave: Photographs and Stories of New Orleans’s Lower Ninth Ward and her Crude Awakening portfolio was picked up by multiple publications worldwide. She received the Photo District News 2011 Curators Choice Award and most recently the Humble Arts 31 Women in Art Photography, 2012.Alt’s work is in the permanent collections of the Museum of Fine Arts in Houston, Smithsonian National Museum of American History, New Orleans Museum of Art, De Paul University Art Museum, Southwest Museum of Photography, Beinecke Library at Yale University, Centro Fotografico Alvarez Bravo in Oaxaca, Mexico, Center for Photography at Woodstock, Harry Ransom Humanities Research Center, and the collection of William Hunt.

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Product details

Hardcover: 96 pages

Publisher: Kehrer Verlag (October 22, 2013)

Language: English

ISBN-10: 386828401X

ISBN-13: 978-3868284010

Product Dimensions:

8.4 x 0.6 x 8.4 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,062,959 in Books (See Top 100 in Books)

Fire can be a scary thing, but it also has great beauty and holds much fascination. Jane Fulton Alt has done an amazing job of capturing all of that in her photos. You will not be disappointed in the beauty of this book.

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Minggu, 03 Januari 2016

Free PDF Mid-Course Correction Revisited: The Story and Legacy of a Radical Industrialist and his Quest for Authentic Change, by John A. Lanier

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Mid-Course Correction Revisited: The Story and Legacy of a Radical Industrialist and his Quest for Authentic Change, by John A. Lanier


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Mid-Course Correction Revisited: The Story and Legacy of a Radical Industrialist and his Quest for Authentic Change, by John A. Lanier

Review

“Unlike most business leaders for whom ‘the business case for sustainability’ is all that really matters, Ray Anderson unapologetically advanced a moral case as well, constantly focused on our duty to future generations. This is more important today than ever before, as we come to recognize that an incremental, softly-softly approach to corporate sustainability is pretty much a busted flush―we’ve simply run out of time. The Interface story is as inspirational today as ever, but it needs to be read for its deeper, radical reckoning: If not now, when? If not you, who?”―Jonathon Porritt, founder and director, Forum for the Future; author of The World We Made“I’m so glad Ray Anderson’s story is getting another telling―few sagas are more inspiring or more timely. We desperately need more and more people following in his footsteps with the same blend of humility and determination!”―Bill McKibben, author of Falter“Twenty years after its first edition, there is still so much for us to harvest and learn from Mid-Course Correction. When it came to the precariousness of our shared future, Ray Anderson was both impatient and relentless in fighting for a world of beauty, abundance, justice, and fairness. When Ray asked me to join the Interface board, his exact words were, ‘Come help me change the world!’ Those words stayed with me throughout my seventeen years working with him. This twenty-year update provides the perfect guide for others to join in climbing Mt. Sustainability, the most critical mission of our time.”―Dianne Dillon-Ridgley, CEO, Women’s Network for a Sustainable Future“So far, Ray C. Anderson is the twenty-first century’s undisputed master of making business a potent force for saving people and the planet. As his winning carpet and textile firm, Interface, now wrings out the last few percent of its fossil-fuel use, his bold strategy―take nothing, waste nothing, do no harm, do very well by doing good―inspires visionary leaders everywhere. This valuable update, with additions from his grandson, John Lanier, maps out necessary next steps.”―Amory B. Lovins, cofounder and chief scientist, Rocky Mountain Institute; author of Reinventing Fire“Twenty-one years ago my friend Ray Anderson brought an engineer’s insight, a businessman’s rigor, a grandfather’s love, and a poet’s heart to what he called ‘the creative act of business.’ He challenged his company to ‘first to attain sustainability and then to become restorative,’ reminding all who would listen that ‘if your sustainability program is costing you money, you’re doing it wrong.’ And in this book and in his countless speeches―with a vision as clear as any since, to our peril and shame, and with a roadmap still valid―he challenged us all to do the same.”―Gil Friend, CEO, Natural Logic, Inc.; founder, Critical Path Capital“Ray Anderson was one of the most extraordinary business leaders I ever met―and I have met and worked with scores. He was extraordinary in his early embrace of the sustainability agenda, years before most of his peers were even aware of the term. And he was extraordinary in his willingness to admit he had got parts of his response wrong, which is the remarkable tale brought bang up to date in Mid-Course Correction Revisited. Highly recommended for anyone wanting leadership in these challenging times.”―John Elkington, founder and chief pollinator, Volans; originator of the Triple Bottom Line“When I began my personal journey from a traditional business career to this world of ‘sustainability,’ Ray Anderson’s Mid-Course Correction was the first book I read. I felt the same ‘spear in the chest’ that Ray described, and so I followed his intellectual path of discovery. I am indebted to Ray’s legacy, and I know it is long past time to revisit his work. The global challenges we face are more daunting than ever, so the imperative Ray described has only gotten more urgent. We must convert ‘business as usual’ from an obsession with short-term profits to a relentless focus on using business to build a thriving world. Ray saw it clearly years before almost everyone, and it’s a critical time to bring his vision to a new generation of business leaders.”―Andrew Winston, founder, Winston Eco-Strategies; author of The Big Pivot and coauthor of Green to Gold

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About the Author

Ray C. Anderson was founder and chairman of Interface, Inc., one of the world’s leading carpet and flooring producers. His story is now legend: Ray had a “spear in the chest” epiphany when he first read Paul Hawken’s The Ecology of Commerce, inspiring him to revolutionize his business in pursuit of environmental sustainability. In doing so Ray proved that business can indeed “do well by doing good.” His Georgia-based company has been ranked number one in a GlobeScan survey of sustainability experts, and it has continued to be an environmental leader even after Ray’s death in 2011. Ray authored the 1998 classic Mid-Course Correction, which chronicled his epiphany, as well as a later book, Confessions of a Radical Industrialist. He became an unlikely screen hero in the 2003 Canadian documentary The Corporation, and was named one of Time magazine’s Heroes of the Environment in 2007. He served as cochairman of the President’s Council on Sustainable Development and as an architect of the Presidential Climate Action Plan, a 100-day action plan on climate that was presented to the Obama Administration. John A. Lanier joined the Ray C. Anderson Foundation as executive director in May 2013 to advance the legacy of Ray, his grandfather. He is chair of the board of directors for Southface Energy Institute, the southeast’s nonprofit leader in the promotion of sustainable homes, workplaces, and communities through education, research, advocacy and technical assistance. He also serves on the board of directors for Project Drawdown. Previously, Lanier was an associate attorney with Sutherland, Asbill and Brennan, LLP (now Eversheds Sutherland), specializing in US federal taxation. Lanier earned his juris doctorate from the University of Virginia School of Law, and he holds bachelor of arts degrees in history and economics from the University of Virginia. He blogs regularly and his TEDx can be viewed on YouTube.

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Product details

Paperback: 288 pages

Publisher: Chelsea Green Publishing (May 9, 2019)

Language: English

ISBN-10: 1603588892

ISBN-13: 978-1603588898

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#829,124 in Books (See Top 100 in Books)

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Sabtu, 02 Januari 2016

Free Ebook Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll ä One Man's Journey Recording Classic Albums

Free Ebook Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll ä One Man's Journey Recording Classic Albums

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Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll ä One Man's Journey Recording Classic Albums

Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll ä One Man's Journey Recording Classic Albums


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Are We Still Rolling?: Studios, Drugs and Rock 'n' Roll ä One Man's Journey Recording Classic Albums

Product details

Paperback: 368 pages

Publisher: Tape Op (January 1, 2011)

Language: English

ISBN-10: 0977990311

ISBN-13: 978-0977990313

Product Dimensions:

5.3 x 0.9 x 8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#500,726 in Books (See Top 100 in Books)

I bought it for the Talk Talk / Mark Hollis parts and I've not been disappointed! There is a lot of technical information about the gears, tools, SSL and microphones used for the recording of Spirit of Eden, Laughing Stock and the Mark Hollis Album, and it does interest me because I am always curious about these things, even though I didn't use them all myself, but I know a few of them. Beside that, there is also the psychological aspect, without being indiscreet, and also the way Mark Hollis and Tim Frieze-Greene did their work, how perfectionist they are, it is a true lesson about the creation process, it is fascinating! It may look quirky but to me it has a lot of sense and logic, even if it was probably not easy at all.It is also how I discovered that the Mark Hollis could have never been released, the crazy and twisted way of the records companies, worst than I knew or imagined! This part made me very upset when I realized that we could have never heard this Mark Hollis Album. This business world is definitely far from being "Fuzzy Land"...I find this book rather well written as we are not bored, and easy to read. I would have appreciated that Phil Brown gives even more details, but he has so much to talk about, that his book could have become an encyclopedia! I also read about O' Rang of course, which is a very slightly sad episode. I will also read the rest because there are a lot of bands in it that I like or even love. If you expect to find gossips in it, forget it, Phil Brown is classy enough to remain very correct in his way of telling the stories, and I really do appreciate that.I certainly don't regret my expense, even if I was only interested in a part of this book when I bought it. I recommend it highly and I say thank you to the person who recommended it to me.

Phill Brown is not much of a writer, but as a recordist he is on par with the greats. The last two Talk Talk records, which he helped create and the making of which are detailed in his book, are still game-changers. Recording or classic rock geeks will get a lot of detail in this book that other readers will probably not appreciate. There is a clunky, no frills diary tone in the writing which some may take issue with. I personally appreciated the perspective his 40+ years of record-making gave him of the changes in the music industry.As a read, there have been better books on the same subject matter. As a document of some of the most brilliant music ever made (including Bob Marley, Led Zep, etc.), it's fascinating.

I am still working my way through this book, but some of this I had read years ago when excerpts were published in Tape Op magazine and I found Mr. Brown's stories captivating. I had no idea this book had finally been released and was so happy to find it. Engineers are often overlooked for the glamour of the artist and the producer, but they play a big part in how an album "sounds". Mr. Brown was really in the trenches pulling long hours splicing tape and sometimes accidently melting it! I really hope he gets his due from this book and hopefully any recording enthusiast will pick it up. At a minimum, reading this book will turn some people on to some amazing music. Years ago, from reading his excerpts in Tape Op, I picked up "Pressure Drop" by Robert Palmer. A great under appreciated album that blew me away by an artist that most only sadly remember for his 80's commercial output (Addicted to Love/Power Station). As with some other reviewers I was very intrigued by the stories about the making of "Nigel Lived" by Murray Head. All I can say upon purchasing that records is "Wow!" An amazing sounding album with lots of sonic experimentation and beautiful sounds. Mr. Brown worked his ass off on these records, doing weird field recordings, experimenting with mic placements and all while doing copious amounts of mind altering substances and with sometimes very substandard compensation for his labor. The stories about partying and hanging with legends are somewhat interesting, but it is the technical meat and potatoes side of making these records and the creative drive that are the most fascinating and rewarding about this book.

I am a young music lover who has always had an interest in recording and the technology associated with it. I have thoroughly enjoyed this book. Even though I was not initially familiar with many of the artists Phill worked with, I found his accounts of them fascinating. I was so interested in some of the artists Phill described working with that I bought their albums while reading the book. Because of this book I bought Murray Head's "Nigel Lived" (on CD and 2 copies of original vinyl. One new, one used), Robert Palmer's "Sneakin Sally", and Talk Talk's "Spirit of Eden" and "Laughing Stock". I found these albums were all extremely unique, well-performed by the artists, and especially well-recorded. I will continue to purchase a lot more of the albums Phill has been involved in and upcoming works of his (I understand he is working with David Gray right now). I am very grateful Phill decided to write this book!

Tue 5/10/2011 6:27 am. I'm about a third through, and I think anybody who has any interest in the recording business, particularly the British wing, would enjoy this. It's like a diary, with dated articles from 1967 through 96, and two more from this century -- and a glossary! Although I did have to google for "liggers" (hangers-on). I suppose if you've been an avid consumer of Rolling Stone for all this time, much will be familiar; but I wasn't, and even then, Phill Brown seems an especially lucid no-B.S. correspondent -- surprisingly, considering the chronicled pharmaceutical intake! -- and he doesn't seem to have any compulsion to make stuff up; while. at the same time, not going out of his way to dish the dirt, which I find refreshing.

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