Jumat, 27 Juni 2014

Download PDF As One Without Authority: Fourth Edition Revised and with New Sermons

Download PDF As One Without Authority: Fourth Edition Revised and with New Sermons

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As One Without Authority: Fourth Edition Revised and with New Sermons

As One Without Authority: Fourth Edition Revised and with New Sermons


As One Without Authority: Fourth Edition Revised and with New Sermons


Download PDF As One Without Authority: Fourth Edition Revised and with New Sermons

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As One Without Authority: Fourth Edition Revised and with New Sermons

About the Author

Fred Craddock (1928-2015) was Bandy Distinguished Professor of Preaching and New Testament, emeritus, at Candler School of Theology, Emory University, and minister emeritus of Cherry Log Christian Church (Disciples of Christ). He was a sought-after lecturer, an author of several books, and a captivating storyteller.

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Product details

Paperback: 168 pages

Publisher: Chalice Press; Revised edition (September 1, 2001)

Language: English

ISBN-10: 0827200269

ISBN-13: 978-0827200265

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#166,494 in Books (See Top 100 in Books)

This is a good read for pastors...

The book was mostly theory and seemed to pontificate versus provide guidance.

Dr. Craddock is one that will go down in ministerial folklore. Many have come from under his tutelage but he will never be matched and One Without Authority is an example of his expertise.

A good book by an authority on preaching - despite the title!

Well Written

Great

A classic!

Craddock's work remains a popular volume on preaching in many evangelical circles. One understands his desire to minister to the present generation with the Word of God by evaluating the current condition of American pulpits. Fewer and fewer attend church with each passing generation, and Craddock is right to look primarily at those who are responsible for shepherding the flocks.While Craddock nobly seeks to make the sermons more understandable to the modern culture, he goes too far in looking first to the culture to determine the content of the sermon itself. He notes of a "current sag in the pulpit [which] is the loss of certainty and the increase of tentativeness on the part of the preacher" (11). With the culture shying away from any perceived authoritative figure, preachers tend to compensate so as not to offend. This reliance on the congregation's perception of the sermon is overstated.Rather, Craddock believes the key to contemporary preaching is for sermons to cease being exclusively one-sided. He believes the congregation should have some part in the preaching process. While preaching in some degree is a community experience, boundaries do exist --- yet Craddock seeks to move the boundary markers more toward the congregation and away from exclusively the preacher. "Without question, preaching increases in power when it is dialogical, when speaker and listener share in the proclamation of the Word" (18). "Without question"?Secondly, the preacher will find value in certain aspects of Craddock's model of inductive preaching. Rather than starting with a particular truth and moving to particular applications (deduction), Craddock believes that starting with the listeners' experiences and moving them to the biblical propositions would reach more people, especially those in Western culture. He notes:"Anyone who preaches deductively from an authoritative stance probably finds that shared experiences in the course of service as pastor, counselor, teacher, and friend tend to erode the image of authority. Such preachers want protecting distance, not over exposure. However, these common experiences, provided they are meaningful in nature and are reflected on with insight and judgment, are for the inductive method essential to the preaching experience" (49).Yet, Craddock implies that a preacher cannot be transparent in relating to his parishioners' experiences, yet still relay propositional truth. The preacher is not the ultimate authority, but what authority he has is found in the God-given Scriptures from whom that authority derives.He conveys that the listener is the ultimate arbiter of whether a sermon is of value or not. This mindset is troublesome. For instance, in the same chapter as the quote from above, he gives a reason for stressing inductive preaching: "If it is done well, one often need not make the applications of the conclusion to the lives of the hearers. If they have made the trip, it is their conclusion, and the implication for their own situations is not only clear but personally inescapable" (48-49). While he rightly presents the fact that the ultimate responsibility for one's Christian walk lies not with the minister but with the listener, his rationale falls apart. He understands how Western/American culture has difficulty in thinking in a Christian worldview in which propositional truths are processed (implying they need help in this area), he then questions why a minister would want to come along and concretely and objectively help them in properly applying the Word to their lives.Though Western culture is most certainly image-driven rather than word-driven, this trend is not necessarily a good trend that preachers should feed. Craddock would do well to remember the doctrine of fallen humanity. The very members of his audience look through the lenses of their own depravity. The experiences and images are quite subjective, and therefore tinged by sin and self. Deductive preaching that begins with the clear, objective propositional truths of Scripture that serve as anchors in the midst of the minds of cultural subjectivity.Many pastors would take offense to a particular statement that truly sums up Craddock's not-so-veiled attempt to decry the deductive method of preaching, he propounds that preachers lack academic respectability because of their use of this method in the modern and postmodern age. While he does not advocate a speech teacher to teach preaching in seminaries, he continues:"And, of course, when preaching is taught by a pastor, retired or active, the course suffers, deservedly or not, from that particular brand of harsh laughter reserved by students and faculty for that which lacks academic respectability. As a natural consequence, preaching continues for another generation as 'a marginal annoyance on the record of a scientific age'" (5).The general nature in which Craddock refers to the majority of preachers does not help his credibility in addressing the so-called ills of deductive preaching. While his concerns may have some legitimacy, to paint such a broad brush stroke over pulpits and seminaries alike is irresponsible. The "thin diet of fond memories" (4) in which he accuses the church of living in perpetuating this method of preaching may well continue for a reason.Craddock's propensity to direct intentionally the book toward the female minister is particularly disturbing. One could forgive this indiscretion if he provided more balance --- yet he exclusively refers to the ministers that he describes with the feminine gender. Given how this book seeks to reach the broadest base of ministers and lay leaders possible, Craddock conveys an agenda which seems more reactionary to conservative evangelicalism which clearly (and biblically) holds to male spiritual leaders in favor of a more liberal mindset in addressing and acknowledging only female ministers. While many in various evangelical circles laud this book (even desiring a second edition), he loses a major marketing base by such a transparent and disappointing agenda that distracts from the message he wishes to convey.ConclusionRegardless of the reception of this book both at the time of its original publication and now, I could not recommend this book to fellow preachers. If I did, I would only recommend this book to show the problematic nature of listener-oriented, exclusively inductive preaching.For a more balanced work, I would recommend Preaching with Bold Assurance by Hershael York and Bert Decker. This work seeks to help the preacher with engaging exposition which seeks not only to touch the listeners' minds but also to touch their hearts as well. Craddock laments that not enough preaching is relevant for audiences, but blames deductive preaching. Deductive preaching need not be irrelevant preaching. York's book clearly demonstrates this.

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As One Without Authority: Fourth Edition Revised and with New Sermons PDF

As One Without Authority: Fourth Edition Revised and with New Sermons PDF

As One Without Authority: Fourth Edition Revised and with New Sermons PDF
As One Without Authority: Fourth Edition Revised and with New Sermons PDF

Minggu, 22 Juni 2014

Download Ebook The Wonder, by Emma Donoghue

Download Ebook The Wonder, by Emma Donoghue

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The Wonder, by Emma Donoghue

The Wonder, by Emma Donoghue


The Wonder, by Emma Donoghue


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The Wonder, by Emma Donoghue

Review

"Fascinating.... Like The Turn of the Screw, the novel opens irresistibly, when a young woman with a troubled past gets an enigmatic posting in a remote place.... Heartbreaking and transcendent and almost religious in itself."―Sarah Lyall, New York Times"A fine, fact-based historical novel, an old-school page turner...Donoghue has written, with crackling intensity, about [spirituality's] power to destroy."―Stephen King, New York Times Book Review"[Donoghue's] contemporary thriller Room made [her] an international bestseller, but this gripping tale offers a welcome reminder that her historical fiction is equally fine."―Kirkus Reviews (starred review)"Outstanding.... Exploring the nature of faith and trust with heartrending intensity, Donoghue's superb novel will leave few unaffected."―Sarah Johnson, Booklist (starred review)"Donoghue demonstrates her versatility by dabbling in a wide range of literary styles in this latest novel.... The closely imagined, intricately drawn story possesses many of the same alluring qualities as her bestseller, Room. .... Donoghue's engrossing novel is loaded with descriptions of period customs and 19th-century Catholic devotional objects and prayers...[and] asks daring questions about just how far some might go to prove their faith."―Publishers Weekly (starred review)"Donoghue is known for her bestselling novel, Room.... [But] she is also well versed in historical fiction. THE WONDER brings together the best of all, combining a gracefully tense, young voice with a richly detailed historical setting."―The Millions"Readers of historical fiction will gravitate to this tale."―Mary Ann Gwinn, Seattle Times"A riveting allegory about the trickle-down effect of trauma."―Megan O'Grady, Vogue"Donoghue poses powerful questions about faith and belief all the while crafting a compelling story and an evocative portrait of 19th-century Irish provincial society."―Tom Beer, Newsday"Donoghue's superb thriller will keep readers hanging on to every word, pondering how far one will go to prove her faith."―Liz Loerke, Real Simple

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About the Author

Born in Dublin in 1969, Emma Donoghue is an Irish emigrant twice over: she spent eight years in Cambridge doing a PhD in eighteenth-century literature before moving to London, Ontario, where she lives with her partner and their two children. She also migrates between genres, writing literary history, biography, stage and radio plays as well as fairy tales and short stories. She is best known for her novels, which range from the historical (Frog Music, Slammerkin, Life Mask, Landing, The Sealed Letter) to the contemporary (Stir-Fry, Hood, Landing). Her international bestseller Room was a New York Times Best Book of 2010 and was a finalist for the Man Booker, Commonwealth, and Orange Prizes.

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Product details

Paperback: 320 pages

Publisher: Back Bay Books; Reprint edition (September 5, 2017)

Language: English

ISBN-10: 031639386X

ISBN-13: 978-0316393867

Product Dimensions:

5.6 x 0.9 x 8.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

576 customer reviews

Amazon Best Sellers Rank:

#56,670 in Books (See Top 100 in Books)

The Wonder by Emma Donoghue is a masterfully written mystery, and the detective is a young English nurse who has been hired to come in as an outside observer to determine the validity of the claim of a rural Irish family that their eleven year old daughter has taken no food for four months, and yet, is miraculously thriving. This nurse, Lib, expresses well the prejudices of the English towards the Irish and their beliefs. (The novel takes place not long after the end of the Great Potato Famine, and so there are intense feelings between the two cultures.) The focus of the story is on a young girl, Anna, who is seen locally as being specially blessed by God, and yet, as the story unfolds we come to see that she represents a perfect storm of pressures arising from devotion to God and religious fanaticism, love of family and family dysfunction. Lib, as a well-trained nurse, arrives with total skepticism, assuming that the child herself is perpetuating this hoax, but Anna's simplicity and purity of heart gradually win Lib over. The challenge then becomes: How to keep this child alive? As with all good mysteries, just about every character has ulterior motives of one kind or another to want the phenomena to be real... the priest, the doctor, the innkeeper, the parents. It is only the trust that slowly builds between Lib and Anna that creates a ray of hope. So much happens towards the end of the book that I was transfixed. The book gave me much to ponder about how children are influenced, for good or ill, by those around them. After finishing it, I immediately went back to read the last three chapters again so I could better appreciate all that contributed to Anna's dire situation. I happen to be a child psychologist, so these issue matter to me, but I think Donoghue's novel will have wide appeal. This is a very worthwhile read.

This book is a delight to read on so many levels. The story is compelling and interesting and the writing is very good. In addition to containing a disturbing mystery, the novel poses questions about medical ethics and morality. A good book makes you think and I am still thinking about this one a few days after finishing.The story is set in southern Ireland in 1859, over the period of two weeks. Lib is a widow who became a nurse after her husband of one year died. She was a Nightingale, as in trained by Florence, and was working in a hospital in England after the Crimea War. Her matron suggested Lib travel to Ireland to be a nurse in the O’Donnell household for two weeks. She agrees, but nothing is as she anticipated. Lib has been hired by a committee of townsfolk to “observe” 11 year old Anna O’Donnell for two weeks. The child has not eaten in 4 months and the committee wants to know if this is a hoax or divine intervention as the family claims. The child reports that she receives manna from heaven. People come from all over to see the devoutly religious miracle child. Lib and a local nun are to take shifts and simply observe to see if the child is taking in any food. Lib is out of place in Catholic Ireland and is convinced that the whole thing is a trick. She is a firm believer in facts and science and has nothing but disdain for religion. As she spends time with Anna, an unlikely friendship develops. Lib remains very skeptical of the family and some of the townspeople. She is befriended by a newspaper reporter sent there to cover the story. Together, they begin to discover the horrible truth. As Anna’s health begins to fail, Lib begs the local physician and the committee to end the watch period and intervene. She soon discovers that everyone has their own agenda, including building up the local church if Anna is declared a saint. Lib knows that she needs to act fast, but she is torn between duty and love.There are so many lovely layers to this novel. The characters have hidden secrets, some of them quite horrifying. It is chilling to learn how far people will go to further their own desires. Far enough to endanger the life of a child and to convince her that she is doing the right thing by starving herself. There are themes of guilt, family loyalty, the goodness and dangers of religion, misperceptions and assumptions, and medical and moral ethics. The story is a slow burn that builds to some startling conclusions. The book is hard to put down and well worth your time.

Words can't to do this story justice. Personally, I do not enjoy nineteenth century writing. Nor do I find reading Irish, British or other forms of European English dialects; only because the vocabulary is difficult for me which causes me to stutter in my reading. However....this book had me hooked and I was able to overcome my shortcomings. The revelations were so intriguing and surprising! You have to read this beautiful written book!

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